The brilliant Boston band Converge have been around a long time, though you might not guess it from the manic energy crammed into their eighth album, All We Love We Leave Behind.
If you go beyond the amped, break-neck intensity and listen to the
compositions, it becomes clear the Boston band is nearing the 25-year
mark: You don't just show up and write songs like this.
As overwhelming as AWLWLB may be on first listen, it's really not
all speed. There's a thing people say about young professional
quarterbacks, about how they need experience before the game "slows
down." You get that on this album, too. In my interview with Bannon, he
said: "I feel that the current generation of listeners of heavy music
are progressing a bit past their gateway bands and are digging deeper
than they used to and understanding more abrasive and complex music and
art. It's like being around an unfamiliar language long enough that it
eventually begins to make sense." I agree with this, and it's the reason
why Converge are a band with plenty of fans who weren't close to being
born when the band formed in 1990.
Of course, there's plenty for older audiences, too-- aging, death,
decisions, punk as a way of life, and the way these things preoccupy you
when you go past 30 are largely what this album is about.
AWLWLB is an example of building on and mastering the music you
loved when you were younger-- something that became more than music,
ultimately-- so that it has a chance to grow old with you without
becoming any less vital.
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