In 1969, Life magazine published a famous edition consisting entirely of portraits of the Americans who died in Vietnam that week. Many subscribers canceled, but many more looked for the first time outside the narrative. The war found its end.
Sustaining America’s state of post-9/11 perpetual war requires skillful manipulation of the public at home. The key tool used for this purpose is the bloodless narrative, a combination of policy, falsehoods and media manipulation that creates the impression that America’s wars have few consequences, at least for Americans.
The bloodless war narrative’s solution to the dead is a policy of don’t look, don’t tell.
Dick Cheney, as Secretary of Defense for George H. W. Bush, helped decide in 1991 the first Iraq War would play better if Americans did not see their fallen return home. He recalled the images of coffins from the 1989 invasion of Panama on television, transposed against the president speaking of victory, and banned media from Dover Air Force Base, where deceased American personnel would arrive from the Persian Gulf.
The ban at Dover lasted 18 years, past George Bush 2.0 and Iraq War 2.0, overturned only in 2009, well after the casualty counts dropped off. Even then, allowing cameras at Dover was left at the discretion of the families.
In 1969, Life magazine published a famous edition consisting entirely of portraits of the Americans who died in Vietnam that week. Many subscribers canceled, but many more looked for the first time outside the narrative. The war found its end.
We are no longer likely to see those nasty pictures. The military has become more skillful at manipulating the media.
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